SSAATTBB, a cappella

When Dr. Kevin Coker approached me about collaborating on a choral song cycle, we talked through many different themes that we felt might tie a set of pieces together.  In a previous work, Color Madrigals, I had used the color wheel and texts by John Keats as a jumping-off point so, for this new cycle, we entertained various ways to do the same.  The idea we hit upon that we thought might yield something interesting was a song cycle based around something entirely quotidian (literally): the days of the week.  We sometimes see the week as a thing to make it through, but momentous events like the first atomic bomb being dropped on Hiroshima and man’s first steps on the surface of the moon happened, boringly enough, on a Monday.  But more personal stories—falling in love, having a child, losing a parent—can also happen to us no matter what day of the week it is.  Thus, Songs for Seven Days was born.

To that end, I searched for texts that mentioned each day of the week and came up with some beautifully diverse offerings.  For the penultimate movement, I chose a text by E.E. Cummings which serves as a meditation of sorts about a fly walking across the glass that separates it from the reflective surface of a mirror.

Songs for Seven Days was commissioned by the Blue Valley Northwest High School Chamber Singers (Dr. Kevin Coker, conductor) for their performance at the 2014 Kansas Music Educators Convention.

Note: a fly and a mirror: this is a friday is the sixth movement of Songs for Seven Days. It can be purchased and performed separately.

The Text

XXVI

     by E. E. Cummings (1894-1962)

            ohld song

you Know
a fly and
his reflection walking upon

a mirror this is
friday 1

what

3 a fly
&

her his Its image
strutting(very
jerkily)not toucH-

ing because separated by an impregnable

Because(amount of inter
-vening)anyway You
know Separated what
i Mean

            (oweld song by
            ;neither you nor i and
by the way)
            ,which is not fly